Carnatic Music Book In Tamil Pdf 72

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A Review of Carnatic Music 2015 Tamil by N.S. Parthasarathy

Carnatic Music 2015 Tamil is a book that provides an introduction to the basics of Carnatic music, the classical music of South India. The book is written by N.S. Parthasarathy, a renowned musician and teacher who has been teaching Carnatic music for over 50 years. The book is intended for students who are learning Carnatic music in Tamil medium.

The book covers the fundamental concepts of Carnatic music, such as swaras (notes), ragas (melodic modes), talas (rhythmic cycles), gamakas (ornamentations), alankaras (exercises), geethams (simple songs), varnams (advanced compositions) and kritis (masterpieces). The book also provides biographies of some of the great composers of Carnatic music, such as Purandara Dasa, Tyagaraja, Muthuswami Dikshitar, Shyama Shastri and others. The book also includes notation for some of the popular compositions in Carnatic music.

The book is available as a free download from the Internet Archive[^1^]. The book is in PDF format and has 191 pages. The book is well-organized and easy to follow. The book uses Tamil script for notation and explanations. The book also has illustrations and diagrams to help the students understand the concepts better.

Carnatic Music 2015 Tamil is a useful resource for anyone who wants to learn or appreciate Carnatic music in Tamil language. The book is suitable for beginners as well as intermediate learners. The book is also a valuable contribution to the preservation and promotion of Carnatic music.

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Carnatic music has a rich and ancient history that dates back to the Vedic times. Carnatic music is based on the concept of sruti (pitch), swara (note), raga (melody) and tala (rhythm). Carnatic music is derived from the Sama Veda, one of the four Vedas that contain the sacred hymns of Hinduism. Carnatic music is also influenced by various regional and cultural traditions, such as Tamil, Telugu, Kannada, Malayalam, Sanskrit and Persian.

Carnatic music has evolved over the centuries through various stages and periods. The early period of Carnatic music is marked by the contributions of the Tamil saints and poets, such as the Nayanmars and Alwars, who composed devotional songs in praise of various deities. The medieval period of Carnatic music is characterized by the emergence of the kriti form, which was developed by composers such as Purandara Dasa, Annamacharya, Narayana Tirtha and others. The kriti is a musical composition that consists of three parts: pallavi (refrain), anupallavi (sub-refrain) and charanam (verse).

The golden age of Carnatic music is considered to be the 18th and 19th centuries, when the Trinity of Carnatic music â Tyagaraja, Muthuswami Dikshitar and Shyama Shastri â composed hundreds of kritis that are considered to be the epitome of Carnatic music. The Trinity of Carnatic music also introduced various innovations and refinements to the raga and tala systems, as well as the use of gamakas (ornamentations) and sangatis (variations). The Trinity of Carnatic music also influenced many other composers and musicians who followed them, such as Swati Tirunal, Syama Sastri II, Subbaraya Shastri, Patnam Subramania Iyer, Mysore Vasudevacharya and others.

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